Liebe Blog-Besucher/innen,

Dear visitors of my blog,

 

herzlich willkommen in meinem Blog! Welcome to my blog!
 
Mein Name ist AnU.
Die Technik-Prüfung ist bestanden und nun "darf" ich mich um meine Semester-Abschlusskomposition kümmern ... und weiter Musiktheorie lernen.
Außerdem muss ich mich nun auch um die Finanzierung des nächsten Semesters kümmern. Da dieses eine doppelte Studiengebühr (plus Zugtickets nach FFM) bedeutet, weiß ich zur Zeit nicht, wie ich das finanztechnisch hinbekommen soll (trotz Arbeiten rund um die Uhr ... ich habe definitiv den falschen Job, moneywise betrachtet ...).

Bitte unterstütze mein Studium, Schreiben und Komponieren mit deiner Spende/Kooperationen/Sponsoring ... 

 
My name is AnU.
I have passed intermediate-exams ... now finals and the major final composition are coming up. Therefore I will need all my time and energy to somehow get myself to focus on composing (and studying) "on the grid". Also I am worried about how to manage the next semester as this will mean double academy-fees plus all those nasty train-tickets to Frankfurt. I am already working night and day, but it seems, I definitely have the wrong job, moneywise at least.
Please support my musical professionalization, my writing and composing  with your donation/cooperation/sponsorship:
 
Vielen Dank! Thank you!
 

Past the Crossroads (The Sorcerer Part One) - Sketch for film music project ...

Blog-Wise >>

Am studying a lot these days (and nights). Trying to manifest what I learn about mixing and technical stuff into my current projects ... one huge and still beginner-level piece of work is my film-music-project. So here comes a rather rough composition, accompanying Sorcerer when he has passed the crossroads and the Nornir/Fates stand aside, veiled in clouds and foggy sceneries to watch (and manipulate) his steps. During the icy nights of an icelandic winter he has to get his guts and courage and desperation fixed to journey to the sacred island in the north ... he does not know though, that something is following him on his path ... likewise desperated and past its crossroads as himself ... 

 

Multilayered composition and I had some "almost-nervous-breakdowns" during my various attempts to get the different rhythmic patterns together and somewhat  "fitting to one another" *argx. Theoretically it is pretty easy in Logic as long as it is a Midi-file/-track. But it was not easy at all mainly due to latency-impact and my visionary stubborness wanting to add FX (effects) stuff here and there (and not wanting to spread them across the whole track). I have learnt a lot out of that ... not only techniquewise, also "novelwise" as creating sounds for my novel-characters opens new pathways to communicate with them and understand their storylines more deeply.

 

For the blogversion I added a track of solo tenor-flute ... (real flute). Recorded live with Logic Pro X.

 

⇒ Audio

 

Please note and respect: Tenor flute, Synth, Composition, Arrangement, Mix © Ann-Uta Beißwenger 2019

 

 

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